Boat Lit Up Yellow in City, Shanghai

From the Shanghai II collection

(Intro from Shanghai I) 

In 2004 I went to Shanghai in conjunction with an exhibit I had there, sponsored by Epson, that didn’t take much time so I was able to spend most of my time shooting.

Shanghai impressed me. As a New Yorker I’m used to a big city with big buildings. Shanghai had buildings that demanded time and inspection.


Although I spent more time shooting buildings than usual, the people were, as usual, my main interest. People in pajamas in public were wonderful, lovers, tourists, red, white and blue houses.


And my hotel! I had been offered two choices of hotels– The Four Season for a shorter stay and the Howard Johnson for a longer stay. I took the Howard Johnson, of course. What I didn’t know is that they called it the Howard Johnson because they thought it would appeal to US tourists. It turned out to be a wonderful, luxury hotel.

Go figure.

Boat Lit Up Yellow in City, Shanghai

China
Digital NEF, 2004

$2,400.00

Pay by credit card, check, or over the phone

From the Shanghai II collection

(Intro from Shanghai I) 

In 2004 I went to Shanghai in conjunction with an exhibit I had there, sponsored by Epson, that didn’t take much time so I was able to spend most of my time shooting.

Shanghai impressed me. As a New Yorker I’m used to a big city with big buildings. Shanghai had buildings that demanded time and inspection.


Although I spent more time shooting buildings than usual, the people were, as usual, my main interest. People in pajamas in public were wonderful, lovers, tourists, red, white and blue houses.


And my hotel! I had been offered two choices of hotels– The Four Season for a shorter stay and the Howard Johnson for a longer stay. I took the Howard Johnson, of course. What I didn’t know is that they called it the Howard Johnson because they thought it would appeal to US tourists. It turned out to be a wonderful, luxury hotel.

Go figure.

Paper & Printing

Epson Legacy Baryta 

Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.

13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...

20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.

40x60 Paper prints will rolled and shipped in a archival tube. More about shipping...

Dye-Sublimation onto Aluminum (Metal)

Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...

Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...