Red Cap and Woman

From the Geneva Train Station collection

In 1971 I was working in Geneva shooting for Investers Overseas Services (IOS). A company that wanted me to shoot conferences and meetings, among other things.

My shooting could only be done during business hours, from 9-5. That left me free to shoot from 7-9.

I remembered wandering around the Geneva Train Station on an earlier trip. I had a great time shooting there, as I always do at train stations.

People don't seem to object to shooting. It’s accepted that photos will be taken. 

I went there every morning and enjoyed the great light, the graphics of the trains, and the interaction of people.

By the way, the same thing is true for bus stations, airports, and any place where people gather en masse while traveling.

Of course, it helps to try to be invisible as much as possible.

Red Cap and Woman

Geneva, Switzerland
Kodachrome, 1971

$2,400.00

Pay by credit card, check, or over the phone

From the Geneva Train Station collection

In 1971 I was working in Geneva shooting for Investers Overseas Services (IOS). A company that wanted me to shoot conferences and meetings, among other things.

My shooting could only be done during business hours, from 9-5. That left me free to shoot from 7-9.

I remembered wandering around the Geneva Train Station on an earlier trip. I had a great time shooting there, as I always do at train stations.

People don't seem to object to shooting. It’s accepted that photos will be taken. 

I went there every morning and enjoyed the great light, the graphics of the trains, and the interaction of people.

By the way, the same thing is true for bus stations, airports, and any place where people gather en masse while traveling.

Of course, it helps to try to be invisible as much as possible.

Paper & Printing

Epson Legacy Baryta 

Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.

13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...

20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.

40x60 Paper prints will rolled and shipped in a archival tube. More about shipping...

Dye-Sublimation onto Aluminum (Metal)

Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...

Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...